Among the fruits of the convergence between African and Afro-American musicians, there is one lesser-known genre that hails from the cradle of vaudou culture in Togo, Benin, and whose key figures, Poly-Rythmo of Cotonou, Dama Damawuzan, or El Rego, have, since the 1970′s, had their popularity confined to afro-groove fans. Specific to this region of Africa is the use, during vaudou rituals, of characteristic lines that differ from everything one may hear in neighbouring cultures.